Our three parks parks are home to 42 pieces of public art – the largest collection in Boston. Temporary public art gives us all the opportunity to explore our parks in a new way. We are excited to share the most recent original artwork on the Common with the community.

We are thrilled to welcome Artists for Humanity artist Angel Koirala and her abstract mural work to Boston Common. Koirala’s piece, Heelo Fool, is installed on the seasonal restroom trailer along Charles Street. Artists For Humanity is a place where teens are employed to explore and express their provides creative abilities.

This installation will be in place through the fall.


The word “Heelo” in my native tongue Nepalese, means mud. The word “Fool” means flower. “Heelo Fool” is a personification of my challenges as an adolescent, “a flower blooming in the mud”. I was a teenager with a lot of emotions when I created this piece, and it shows in the art. The intentions behind the choice of colors, the bright orange accent, and the spots of white that trail the canvas are to capture the act of self-becoming and evoke emotion in the mind of the audience.

Although I only worked at Artists For Humanity (AFH) for one summer, it was the best decision I made as a 16-year-old. AFH showed me that creating art is a skill and a career path that is substantial and stable. Growing up in an immigrant family, the idea of creating art for a living was heavily frowned upon. However joining the AFH team sparked a fire in me, a fire that continues to burn. I am now pursuing art as a career. Despite all the doubts and pressure, I continue to create and owe it all to AFH. In this past year, I started a tattoo apprenticeship and have grown as an artist. I still paint and draw for myself in my free time, hoping I can also spark a fire in others the way AFH did for me.


The term “graffiti” has negative connotations for many of us. Here in the parks we spend thousands of dollars and many hours dealing with this type of vandalism. But graffiti can also be art. Graffiti art takes the techniques and methodologies behind street graffiti and applies them to other mediums. Graffiti art takes graffiti off the streets and allows it to be sold, exhibited, and displayed in other environments.

Public art in its many forms dates back to prehistoric times. Cave paintings, petroglyphs and pictographs have been found all over the world from Australia, to China to the Lascaux cave paintings in France. Even the ancient Greeks and Romans graffitied their names and protest poems on public buildings.

Famous modern artists like Jean-Michel Basquiat and Keith Haring got their start as more traditional artists after experimenting with graffiti. Banksy began his career as a graffiti artist in the early 1990s, and now his worldwide fame has transformed his artwork to sought-after high art pieces. Here in Boston, Brazilian twins known professionally as Os Gemeos created the mural called the Giant of Boston on the Rose Kennedy Greenway in 2012.

You can learn about other famous graffiti artists here.

We also want to celebrate the 30th year of the Mayor’s Mural Crew employing Boston high schoolers to create large-scale public art projects across Boston’s neighborhoods and City parks.


With a unique canvas to fill, the Friends went looking for a uniquely Boston artist to share their talents with our community. We are thrilled to welcome Sobek and his surrealist aerosol work to Boston Common. Sobek has created a mural depicting the history of the Common, specifically for the seasonal restroom trailer along Charles Street. This installation will be in place through fall.


Art is life. It is beauty that is natural and boundless, peaceful or raging. It is therefore a force for the cause of social justice, and a means by which I can immediately express what I feel and believe.

I have been humbled by hardships and because I could only create with the bare necessities, I have developed a style that is unique, using acrylics and spray paint to achieve gritty, urban imagery that is simultaneously surreal. By layering and mixing spray paint with acrylic I’m able to create a chalky, almost pastel-like filter, that also stretches my paint supply for future works. I find inspiration in the city and neighborhoods where I was raised.

I’ve been defined by others as an illustrator, a muralist, a graffiti artist, but I prefer to define myself as an artistic motivator, encouraging youth and adults to discover their own freedom of expression and the peace it bestows. I attribute much of my inspiration and enlightenment to Paul Goodnight, Rob Gibbs, Richard Gomez, Damon Butler, and Jason Talbot, all men of color; local heroes, who fill me with pride.

ARTIST BIOGRAPHY – Sobek (Jeremy Harrison)

I remember the first time I drew a picture I liked. I was in fourth grade on Halloween during a paper plate mask contest. I copied the bloody face of a werewolf my oldest brother had drawn the night before. I loved what I created so much I did not even enter it in the contest. Instead, I copied it over again for the rest of class.

My mind is a temple and art is the kung fu I train, it is my life. I have grown to realize its value and power, especially during the hardships I face as a Native man of color. My direct interactions with inequality and prejudices have influenced my style of painting. The people I create are Black and proud, yet you can see their pain. My Graffiti is a sharp abstract 3-d flow that twists, bends and is forceful. I lay my foundation with spray paint first, then combine it with acrylic paint. By doing so I can render soft tones and moods, as well as stretch my limited supply of materials.

I have no formal training; my knowledge comes from studying and experience working with others. My passion for the arts, specifically Graffiti, and its positive representation has led me to start Back Against the Wall. My initiative helps the inner-city community by making their words visible on a larger scale encouraging the positive power of words. Graffiti is an important part of this mission because it was birthed through rebellious strength motivating a culture to recognize the importance of letters.